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Mythologically, Chiron was one of the Centaurs, a breed of creatures with the body of a horse and the torso of a man. Chiron himself is the best known of the centaurs, which are often represented as a wild and savage bunch of untamed beings. We will return to the figure of Chiron himself in due course. The centaurs themselves are an enigmatic group, which I think deserve further attention. The fact that the figure of man has been blended with the figure of a horse is extremely intriguing to me because the horse is one of mankind’s most ancient symbols of the Goddess or Divine feminine. In England alone over 24 huge chalk white horses have been found cut into the hillsides, and some of these have been dated to prehistoric times. It seems that various horse cults existed around the world, all connected with fertility and with the worship of the Feminine archetypes.
Wherever one finds a cult connected to a white figure, one also usually finds another cult, or the same cult connected to its black counterpart. There has been a great deal of exposure in recent years concerning the cult of the black Madonna, and the huge popularity of the Da Vinci Code also testifies to a powerful stream of energy emerging from these white and black archetypes in connection with the Goddess. The classic depiction of the centaurs as a wild, lustful bunch of beasts directs us to the darker face of the feminine archetype, where the sexual power of the horse is seen through the eyes of fear, and usually male, patriarchal fear. This dark face of the feminine is caught in so many wonderful mythic figures – Lillith, Kali, Hecate, Innana…Each of these archetypes invite us to embrace our earthy, animal nature before we can really touch our higher divine nature. This is where the centaurs come in, because they represent the perfect synthesis of man and beast. As an archetype, the centaur is really due for an overhaul in understanding and deserves our full respect. If we fear that part of our nature that we seem unable to control, then we can never be whole. The only way to heaven is down, through the underworld that terrifies us. This is the whole ethos on which my approach is built and upon which my spectrum of consciousness is founded. It finds its first practical outlet through the Venus Sequence – a system which allows one to work deeply with these two archetypes - the dark feminine face of the 64 Shadow states and the white feminine face of the 64 Gifts and beyond them, the 64 Siddhis, the manifestations of enlightenment itself.
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